Diego Rivera. Frozen Assets. 1931-32. Fresco on reinforced cement in a galvanized-steel framework, 93 ¾ x 74” (238 x 188 cm). Museo Dolores Olmedo, Xochimilco, Mexico © 2011 Banco de México Diego Rivera & Frida Kahlo Museums Trust, México, D.F./Artists Ri

Diego Rivera was the subject of MoMA’s second monographic exhibition (the first was Henri Matisse), which set new attendance records in its five-week run from December 22, 1931, to January 27, 1932. MoMA brought Rivera to New York six weeks before the exhibition’s opening and gave him studio space within the Museum, a strategy intended to solve the problem of how to present the work of this famous muralist when murals were by definition made and fixed on site. Working around the clock with two assistants, Rivera produced five “portable murals”—large blocks of frescoed plaster, slaked lime, and wood that feature bold images drawn from Mexican subject matter and address themes of revolution and class inequity. After the opening, to great publicity, Rivera added three more murals, now taking on New York subjects through monumental images of the urban working class and the social stratification of the city during the Great Depression. All eight were on display for the rest of the show’s run. The first of these panels, Agrarian Leader Zapata, is an icon in the Museum’s collection.

Diego Rivera. Indian Warrior. 1931. Fresco on reinforced cement in a metal framework, 41 x 52 ½” (104.14 x 133.35 cm). Smith College Museum of Art, Northampton, Massachusetts. Purchased with the Winthrop Hillyer Fund SC 1934:8-1 © 2011 Banco de México Die

This exhibition will bring together key works made for Rivera’s 1931 exhibition, presenting them at MoMA for the first time in nearly 80 years. Along with mural panels, the show will include full-scale drawings, smaller working drawings, archival materials related to the commission and production of these works, and designs for Rivera’s famous Rockefeller Center mural, which he also produced while he was working at the Museum. Focused specifically on works created during the artist’s stay in New York, this exhibition will draw a succinct portrait of Rivera as a highly cosmopolitan figure who moved between Russia, Mexico, and the United States, and will offer a fresh look at the intersection of art making and radical politics in the 1930s. MoMA will be the exhibition’s sole venue.

Diego Rivera. Cartoon for Agrarian Leader Zapata. 1931. Charcoal on paper, 98 3/8 x 78” (250 x 198 cm). Private collection, Mexico © 2011 Banco de México Diego Rivera & Frida Kahlo Museums Trust, México, D.F./Artists Rights Society (ARS), New York

Diego Rivera. Agrarian Leader Zapata, 1931. Fresco on reinforced cement in a galvanized-steel framework, 93 ¾ x 74” (238.1 x 188 cm). The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund © 2011 Banco de México Diego Rivera & Frida Kahlo Museu