Martin Barré is an important artistic figure in postwar French abstraction, while Quaytman is one of the most prominent artists in the american visual arts’scene.

“Arrhythmia, A tale of Many Squares”, setting of paintings by Barré, is composed by two paintings developed by the French artist between 1986 and 1987.

It is also composed by Quaytman’s panels, a recent installation denominated by the artist as “chapters”. The setting of paintings aims to combine and orchestrate the harmony between the work of both artists.