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Bringing up a 40-year retrospective on the artist's production, ten stacks varying of large and small sizes bring together the nuances of the Missourian artist’s oeuvre, dead in 1994.
Judd went on to revisit the stack's form through the last years of his career, and they now serve as his best-known legacy, represented in the collections of nearly every major museum worldwide. Over the years, Judd experimented with a broad spectrum of materials to explore the myriad effects of varying transparency, opacity, surface, and color.